Have you ever been in need of something to do with your bag of scraps?  Well, here is your chance to make some adorableness.  I'm going to be honest with you, usually if it's less than a yard and I can't  use it for a project I'm working on and no matter how fabulous the fabric, it may just meet the garbage.  But this book, "Pretty Birds: 18 Simple Projects to Sew and Love" by Virginia Lindsay of Gingercake blog offers the most adorable solutions to your scrap fabric pile.

Another project that I feel would work for me is the canary.  The shape screams pincushion. 

And the final project that I would do is the cardinal.  I would create a few of these to be Christmas tree ornaments.  He couldn't be more perfect for that!

PRETTY BIRDS should be on the shelves of your favorite book store March 2015.  

Allow me to preface everything in this post by first saying, I am NOT a beauty blogger, nor do I deem myself a beauty expert.  However, I am a consumer that has been purchasing makeup for the last 30 years.  That makes me an expert on ME and on what I like!

So, when I was approached by Emily Guffey, a Younique Presenter to review the Moodstruck 3D Fiber Lashes, I jumped on the opportunity.  I'm a product junkie and I love being put on to a new product that I've never heard of or probably wouldn't purchase based on the lack of familiarity.

So I graciously accepted this beautifully packaged mascara.  It's like NOTHING I've ever used before.  And the entire process of using it is an experience.  Let me explain how you apply it:

First, you apply a thin coat of your own regular mascara as a base.  Any kind will do.  I'm a fan of L'Oreal mascaras, so those are what I use.  

Then you apply a coat of the Moodstruck Transplanting gel.  And IMMEDIATELY following while WET, apply the Moodstruck Natural Fibers.  

The part about immediately and wet are extremely important.  Let's just say that the first time I tried this product that I failed to do that part.  It was like I was brushing tiny little feathery hairs into my eyes.  I knew I had to have done something very wrong.  So, after a few more tries and probably around a week later, I feel like I pretty much know how to properly apply it.  You have to do one eye at a time, have all applicators ready and move through it reasonably fast.  I really like the end results when applied properly.  I think after you actually get the hang of the application process, you can apply it quickly.  Because it really is all about technique.

A problem that I initially had was when I was applying the fibers too dry was the falling or flaking of the fibers onto my under eye area.  But again, this all has to do with perfecting your own technique.  Now, would I recommend this product?  Not to the regular woman.  But I HIGHLY recommend this to the lady who LOVES makeup and is always in search of the latest and greatest new product!

Disclaimer:  I received this product for to review.  I was not compensated.  All opinions on this product are my own.

Happy Friday!  I find inspiration everywhere.  But I mostly find it from reading fashion and style blogs, my favorite retail site: Net-a-Porter.com and of course, Pinterest.  My brain is constantly on spring fashion lately.  It's all I can think about.  Here are a few things that I've pinned this week and the sewing pattern doppelgänger.

Alexander McQueen

Vogue 9075

My pattern pick for the Alexander McQueen fiery red flirty mini dress is this pattern.  Since I recently made the jumpsuit from this selection, I know how the bodice fits and to me, that's the most important part of a fit and flare style.  The bodice of the pattern is different from the McQueen, but I love princess seams because you can easily adjust the fit.

Alice + Olivia

McCall's 5530 (OOP) 

When I saw the Alice + Olivia jacket, I stopped what I was doing and immediately went to my pattern cabinet and pulled this one out.  I've had this pattern since it was initially released and I never got around to making it.  I'm so glad I was reminded of this adorable jacket.  I'd love to make mine in white just like the original.  Alice + Olivia styled theirs with high-waist wide-leg pants.  I'd probably do something similar.  Or maybe something as along the lines of what Stacey Bendet would do, like a maxi skirt!

MCQ Alexander McQueen

Butterick 6169 and 6183

I wasn't immediately blown away by the styling of the new Butterick Lisette patterns.  But I looked away from the envelope and looked at the potential of each piece on its own.  Now, how cute would that moto jacket be when paired with the culottes?  I say pretty darn fabulous!

The white jumpsuit is from BrooklynBlonde.com and the black one is Michael Michael Kors.

McCall's 7099

Let's all face the facts:  jumpsuits are NOT going anywhere anytime soon.  They are the ultimate one-piece dressing.  And a long-sleeve peg-leg jumpsuit is a must have for me.  I picked this one.  Whether I make this one, or change out the bodice for a button style, I'm making one of these.

J.Crew's Endless Classic Shirt 

Butterick 5526

J.Crew has made the big shirt hot to me again.  It's like throwing on one of your boyfriend/husband's shirts with a pair of distressed jeans.  I make an awesome white shirt just about every year.  So this one is at the top of my list for this spring.  And this Butterick version is perfect.  I've already made one of the views before, so I know it's a great pattern.

My personal favorite of course, is called "Sewing Circle" by Robin Roth-Murphy.  Robin uses mixed -media such as metal wrapped in silk and synthetic textured fibers; fabric, torn fabric woven into mesh canvas; new and vintage buttons, zippers, spools of thread, and embroidery needles; paint; wire; jewelry collected from estate sales; and glue.

The line between fashion and art is often crosses and sometimes entangles.  And this beautiful book of "fantasy shoes" is a perfect representation.

The bright and colorful photographs capture the innovative designs of these spectacular non-functional shoe sculptures.

There are 150 fantasy shoes in the book.  I find the creativity of each artist and the use of their imaginations to be breathtaking.  And since this book has a new home on my coffee table, I'm sure it'll be a great conversation piece.

About the author:

Jane Gershon Weitzman, wife of esteemed shoe designer Stuart Weitzman --- was the Executive Vice President of Stuart Weitzman and the first Vice President of Stuart Weitzman Retail.  She spearheaded philanthropy for the company by generating funds to support breast and ovarian cancer research and awareness.  Her efforts were brought to life through innovative charity events on the brand's website, such as the Stuart Weitzman Celebrity Breast Cancer Shoe Auction, and its retail stores.  She serves on the Trust Board of the Boston Children's Hospital. 

Art & Sole ($30.00, Harper Collins) is an amazing book.  And even if you aren't the biggest shoe lover, you can definitely appreciate the art aspect from the perspective of a lady that clearly knows a lot about shoes.

If I make a pattern more than once, you know I really must love it.  When I made my first version of McCall's 6991, I knew I'd make another one.  

The first version was made in a synthetic fabric.  I wasn't completely sure if it would be a top I'd wear a lot, so I really didn't want to make a big investment.  But since the end of the year, I've reached for that top multiple times.

This time I used this awesome, graphic polka dot and stripe black and cream silk crepe de chine that I bought from Mood.  I would link to it, but it is so great that it sold out fast!

I know a lot of others struggle with silk sewing.  I don't find the fabric to be difficult or slippery in the least.  It's one of my absolute favorite fabric to work with.  I love the feel of it.  My number one tip is to simply cut each piece out on a single layer.  That way it will remain on grain.

Being that the front of this top is one large bias-cut piece, there was no way that the print could be evenly matched.  But I really like the effect that the bias draping created.  I did put consideration into the back.  I cut the yoke on the cross grain and made sure that the back's pattern placement was symmetrical.

On this version of M6991, I still omitted the pocket on view B as I did in the first one.  And I used the tab sleeve from view C.  

And per usual, I used a Microtex needle, made French seams and created narrow hems.  I really, really love this top.  And who knows?  There may be a third...

It's spring sewing time y'all!  And we had the perfect weather this weekend to actually be outside sleeveless without looking like a fool!   

So, out of all of the newly released patterns, Vogue 9075 is the first one I made.  It's pretty ironic because it wasn't love at first sight.  I really crinkled up my nose and kept right on scrolling when I first saw it.  It had to grow on me.  So by the time they went on sale at Hancock, I looked at it in the big book and I was sold.  Do you ever have to do that?  Go in the store and sit down and flip through the catalog?  It's something about the big glossy pages that allow me to study the lines and see them in a different way that I don't necessarily get when looking at them online.

I knew from the jump that I didn't want the sleeves.  Even if I make that cute little full-skirt dress, I'm still going to make it sleeveless.  Something about those little sleeves that just make me not a fan.  Maybe it's the odd length.  I can do a cap sleeve, but that short sleeve?  Just no...  But I do reserve the right to change my mind!  I'm a woman and it's my prerogative -- if I see something that's fabulous that compels me to sew it.  So don't hold me to that.

So for this pattern, I cut the 14.  I lengthened the bodice by an inch.  This bodice is cut to be very fitted.  Just wanted to give you the heads up on that.  Since I've lost some inches off the bust and reduced a couple of cup sizes, I didn't need to make a FBA.  That's one alteration that I'm not going to miss doing.  When making jumpsuits, my number one concern is always crotch depth.  Camel toe action is NOT cute, no matter who sews it! LOL  When I measured the rise, it measured fine so I didn't have to make an alteration there.  And when I measured the inseam, I liked the length.   I would normally add 2-3 inches to the length.  But I decided that since this jumpsuit pretty much looks like a dress, I would let the hem fall exactly as I would if this were actually a midi dress or skirt.  Any longer, I just don't think it would've come across as chic as I would've wanted it to.  So, if you're shorter than me (I'm 5'9"), you may want to consider the length and where you'd like for the hem to fall.

I made this in this gorgeous cream wool-like poly blend crepe.  It's absolutely stunning fabric.  It looks and feels like a very lightweight wool crepe.  But it's a poly/viscose/lycra blend.  The fabric drapes beautifully as you can see.  I decided to omit the pockets for obvious reasons.  And I fully-lined the jumpsuit in a nylon tricot.  

The great thing about poly is that it's not quick to wrinkle.  I sat down to put on my shoes and rode in the the car with only minimal wrinkling.  As much as I want to be a "fabric purist", I love arriving to my destination without looking as if I slept in my clothes.  So in this instance, hip hop hurray for polyester!

My preferred style of dress has always been a sheath dress.  I know a lot of women like skater styles or dresses with full skirts.  But I love a sheath dress.  And this pattern - Vogue 8872, which is a play off of the ever-so-popular Black Halo Jackie O Dress, is no exception.

My preferred way to wear a sheath dress is close-fitting.   Sheath dresses look elegant and slimming, especially when they're form-fitting (not skintight).  This is something you must keep in mind when picking fabric.  I like fabric with a little bit of stretch for wearing ease.  That's why the fabric I chose for mine is this gorgeous Italian peacock blue stretch wool (98% wool, 2% spandex) that I purchased for my Mood Sewing Network garment.  

I cut the size 14 because it was already in my stash.  I added 3 inches to the length of the skirt.  I like for my sheath dress hem to hit at the knee. I had to take in the bodice about an inch or so.  It's lined in a white nylon tricot from my stash.  So understitching is a very important step to not skip in order to make sure that lining doesn't slip out.

I self-lined the corset-style midriff.  Two layers of this fabric gave a secure, Spanx-like fit.  I can eat while wearing this dress!

Since the bodice is cut on the bias, it naturally has a beautiful drape.  I let it hang on the dressform for a few days and the neckline decided who it wanted to be.  I just went with it.  I left off the "shoulder wings", they weren't necessary for me.  And I also omitted the belt carriers.  If I decided I want to wear a belt, I'll just add a thin one at the waist.

And my final alteration that I make to my sheath dresses (and pencil skirts) is to peg in the bottom.  My formula is that the hem should be four inches less than the hip point.  With a vent opening, it's walkable and the fit is perfect!  This dress is perfect for all sorts of occasions.  It's subtly sexy in a way that will make men look and women not hate.  Perfect for a dinner date or a women's conference and will have a great home in my closet!

And my look is never complete without great makeup...

Celebrity Makeup Artist Rob Scheppy -- think Kim Kardashian's fabulous smokey eye, teamed up with Tini Beauty and created this gorgeous 8 color eye shadow palette.  Now, I love makeup and beauty products in general.  I'm a certified product junkie, and I've always loved the Kardashian sisters' makeup, so this was a great product that I was sent to review (no compensation, just this beautiful palette).

Matte shades:  White Russian - creamy off white; Cinnamon-tini - terra cotta; Pavlova - taupe; Blackout - black

Shimmer shades:  Pearl Fizz - pearly white; Rose' Champagne - peachy bronze; Cuba Libre - light cola; Bella Note - charcoal grey

So, today was my first time using this palette.  The colors are neutral, beautiful and perfect for my lifestyle.  Have you ever purchased a palette with colors that you'd never, EVER wear?  I have and this is not one of them.  I love that there are matte colors for day and if you want to get snazzy for evening or a special occasion, you can use the shimmer.  When I applied it, I used it dry.  I used the top row of matte colors to create a smokey eye.  The pigment went on pretty lightly, but you can always build the color up by patting on more.  I'm assuming if you apply it with a dampened brush, the color will be a lot more intense.  This is a great addition to my collection and I'll definitely be putting this to use.  I mean, how could I not?